Contemporary Romance

The Night We Agreed Not To Call It Goodbye

He slid the key back across the table and neither of them reached for it.

The bar was nearly empty and smelled like citrus and spilled beer. A song played too softly to identify. She watched the key turn once on its edge and fall flat. The sound was small and final. Outside a delivery truck idled and moved on. Inside nothing moved at all.

Her name on the lease copy folded in her bag read Isabel Marie Fournier. His name on the envelope beside the glass read Lucas Anthony Reed. Seeing them like that made the night feel official in a way neither of them had wanted.

Scene one widened to the walk home they took together out of habit. Streetlights hummed. The air carried the river and heat trapped in concrete. Isabel counted the cracks in the sidewalk until she lost track. Lucas kept his hands in his pockets because reaching felt dangerous. They spoke about nothing. The silence did most of the work.

At her door he paused. He said he would text to make sure she got inside. She nodded and unlocked it anyway. The hallway light flickered. She turned once. He was still there. Then she closed the door and leaned against it until the quiet settled into her bones.

Scene two lived earlier and brighter and smelled like sunscreen. They had met at a beach cleanup and stayed after when everyone else left. Lucas had offered her a warm soda and apologized. Isabel had laughed and taken it. The water had been cold. The sky wide. He had said her name carefully then as if learning it. She had liked the care.

They learned each other in small ways. Coffee orders. The songs that made driving easier. The way Lucas went quiet when thinking. The way Isabel filled silence with questions. They did not plan far ahead because the present felt sufficient.

Scene three returned to the apartment they had shared for a year and would not again. Boxes lined the walls like punctuation. Isabel folded towels slowly. Lucas labeled things neatly. They moved around each other with practiced ease and new distance. When they sat on the floor to eat takeout they laughed at the same joke and then stopped.

Later in bed they lay facing opposite walls with a space between them that felt measured. Lucas said maybe someday. Isabel said maybe. The word held and then dissolved.

Scene four arrived with the first night alone. Isabel cooked pasta and burned it. She opened a window and listened to the city argue with itself. She put the key in a drawer and closed it and opened it again. The drawer smelled like paper and dust. She left it open because closing it felt like a lie.

Across town Lucas unpacked only what he needed. He set a plant by the window and watered it too much. He scrolled through photos and stopped at one where Isabel was laughing with her mouth open and hair everywhere. He closed the app and turned the phone face down.

Scene five was autumn and a festival by the river. They met because the city was small and because avoiding each other had become exhausting. Music carried. Lights strung overhead swayed. Isabel wore a coat that did not know him. Lucas smiled and it reached his eyes and hurt anyway.

They walked together along the stalls and spoke honestly in fragments. She said she was learning how to be quiet. He said he was learning how to ask for help. They stood by the water and watched reflections break. When the music swelled Lucas offered his hand and Isabel took it. They danced without choreography and without promises.

When it ended they let go easily. That surprised them both.

Scene six came much later on a winter afternoon with mail stacked by the door. Isabel found the envelope with careful handwriting. Inside was a note and a spare key taped to the page. Lucas Anthony Reed had written thank you for loving me the way you did. No request followed.

Isabel Marie Fournier held the key and felt the old weight without the pull. She placed it on the table and watched it lie still. Outside a truck idled and moved on. The night they had agreed not to call goodbye returned and softened at the edges.

She turned on a lamp. The room warmed. She did not reach for the key. She left it where it was and let the quiet mean something new.

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